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Featured CAB  Honoree:  RON SWEED-THE GHOUL


In 1963, a 13-year-old Sweed wore a gorilla suit to a live appearance by Ghoulardi. Ghoulardi took note of the costume and brought Sweed on stage, and over the next few weeks, Sweed became Anderson's production assistant. After Anderson left Cleveland for Los Angeles in 1966, Sweed left for Bowling Green, but continued to work on the production of the Big Chuck and Hoolieshow.

In 1970, Sweed approached Ernie Anderson with a proposal to revive Anderson's "Ghoulardi" character. Anderson was not interested, but gave Sweed his blessing to revive the character on his own. With that blessing, Sweed took "The Ghoul" to Cleveland's Kaiser Broadcasting station WKBF-TV in 1971. Though it started as a tribute to Ghoulardi, Sweed soon developed his own eye-catching gags and energetic style. Known for his zany, early-adolescent humor (particularly surrounding his abuse of a rubber frog named "Froggy," his well-known penchant for blowing up model ships and aircraft with firecrackers, and his habitual smearing of Cheez Whiz over everything in sight), late night monster movies were a unique experience for Cleveland viewers in the 1970s. Catch phrases included "zingy-zingy," "Overdey!" and "stay sick, turn blue".

The Ghoul would typically take an unbelievably bad horror movie and dump in sound bites at appropriate moments, using audio clips from novelty records, George Carlin, Firesign Theater and rock albums of the '60s and early '70s. And whenever a character took a drink of something on-screen, The Ghoul would supply a good, loud belch.

"Shooting from no-budget studio sets, the Ghoul inserted his own dialogue and sound effects over insufferably bad B movies, blew up food, model cars and figurines with firecrackers, and produced strangely compelling, culturally relevant skits and parodies. The show was destructive and childish enough for little kids, subversive and timely enough for young adults."  

Later in the 1970s, Kaiser Broadcasting syndicated The Ghoul Show to Detroit, Chicago, Boston, Philadelphia, San Francisco and Los Angeles. It bombed in Chicago (where Sweed had the thankless task of replacing the popular Svengoolie) and in Boston, but was huge in Detroit, and enjoyed varying degrees of success in the other markets. Despite the show's popularity, Kaiser eventually canceled it in 1975 amid complaints from parents about the content of some of Sweed's skits. But The Ghoul resurfaced in 1976 on an independent Detroit station, and again in Boston.

Sweed has since been on and off the air in Cleveland and Detroit for over three decades, at times even branching out into radio and the internet. The Ghoul returned to Cleveland TV in 1998 on WBNX-TV Channel 55 where he remained for the next six years airing on Friday, then later Sunday nights. He also did a Saturday night request show on WNCX during the same time period.

The same year, Sweed co-authored (with Mike Olszewski) The Ghoul, a book collecting memories, on-set photographs, transcripts, correspondence, and memos from his years on the air.

The Ghoul is still well known enough in the Cleveland and Detroit markets that some of his catch phrases ("Overdey!", "Hey group!", "Scratch glass, turn blue", "Stay sick, climb walls", "Pluck your magic twanger, Froggy!", "Holy Parma", "Amrap" and Froggy's "Hiya gang, hiya hiya hiya!") are still widely recognized among the children of the 1970s.]

On March 5, 2016, Sweed was presented with a Certificate of Recognition by Cleveland mayor Frank G. Jackson to commemorate the 45th anniversary of his debut on Cleveland TV, and to honor his continuing popularity in the city. 

 


CAB Mission Statement

As a nonprofit  501c6 we work collaboratively as an industry to continue to advance excellence in broadcasting in Cleveland through education, social interaction, recognition and philanthropy.
  1. Promote the quality of broadcasting in the Cleveland area
  2. Provide a forum for issues concerning all segments of the Cleveland broadcasting community
  3. Foster greater understanding between those in the broadcasting sales, advertising and business communities
  4. Increase the level of professionalism among those in the Cleveland broadcast community


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